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Womanhood and marriage to Edgar further confine her within the genteel household, and the denouement of her particular Gothic plot involves her imprisonment in increasingly confined spaces: the house, her room and finally “this shattered prison” her body, from which she longs to escape as she does from womanhood itself.
For example, you could argue that the supernatural elements in Wuthering Heights (i.e.
Cathy's ghost knocking on the window) are perhaps gothic elements that are unconvincing for modern-day readers.
Genres can be combined to create a genre with a ‘twist’, like a romantic mystery novel for example, the possibilities are nearly endless.
Overall, when looking at the five novels read over the term, there is a clear trend with the novels genres.
‘The gothic elements spoil Bronte’s novel and make it unconvincing’.
With reference to Bronte’s narrative method and relevant contextual information, show to what extent you would agree with this statement.
The critic Lyn Pykett discusses feminist notions of the Female Gothic being a separate and complex genre from that of the Gothic, suggesting that it simultaneously represents the fears of women and their wishes to escape from them.
The heroine of the Female Gothic is said to enact fantasies of female power through the portrayal of her strong character, this can be seen in Wuthering Heights through Catherine Earnshaw and also in Great Expectations through Estella.