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This may only be the point of departure, but that’s OK.The important thing, as a writer, is that you bring this to life with descriptive detail that sets the mood and weaves imagery, color, texture, sound, light, architecture and nature into a believable background.
But do be careful about how you work facts into your essay. Gill refers to this as seeking “the key, an image that unlocks everything else.” In my essay about Tahiti, “Lost in a dream with Gauguin,” I opened with the late-18th-century voyage of Louis-Antoine de Bougainville, the first Frenchman to circumnavigate the globe.
Descriptive prose provides the larger context while you, the writer, bring a strong sense of your personal motives, state of mind, and situation as we embark on the trip together.
The “hinge” of these two levels allows you to pivot and shift your point of view as you move through the pages.
Planning a trip to an exotic destination that has yet to be tainted by tourism? The widespread use of blogs, social-networking sites, webcams and cell phones places just about every corner of the planet at our fingertips.
Suddenly, anyone with a computer can be a travel writer and any day spent far from home can be instantly shared with “friends” you’ll never see.