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The actual ambivalent relationship reflected shortcomings in the dry regime and in the two organizations. 21, 1924, MP 9 (first quotation); Webb to the Executive Committee, Anti-Saloon League of America, n.d., marked Sept.-Oct. 18, 1924, MP 10 (second quotation); Mc Bride to W J. 22, 1924, MP 6; “Report to the Executive Committee of the Anti-Saloon League of America by Francis Scott Mc Bride, General Superintendent. C., November 25, 1924,” 4, EHC 84; Milburn to Mc Bride, Sept.Ineffective enforcement pushed some ASL officials into informal ties with local Klans, while the league tolerated pro-Klan sentiments among some leaders. 26, 1924, EHC 91; , microfilm, Indiana Historical Society (special thanks to Janet Newland, associate archivist, Archdiocese of Indianapolis, for arranging the microfilming of this rare document); “Local Officers of the Ku Klux Klan in Indiana 1925,” 21, 25, typescript (SC 2419), IHS; Many librarians and archivists assisted me in locating material, none more assiduously than Peggy Feild at the Interlibrary Loan office at the Loyola-Notre Dame Library, assisted by Ginnie Smack-Harper.The relationship between the Anti-Saloon League and the Ku Klux Klan in support of national prohibition has been a source of controversy since the 1920s.
And he must deal with persistent racism when he is formally admonished and told to accept routine anti-Black sentiments expressed at work or face consequences for complaining.
is, of course, not the first time cinema has been used to confront similar themes of Blacks infiltrating the KKK or using covert police tactics.
Lee successfully uses the past, as he has done in movies like On the other hand, Lee interestingly and expertly weaves together the serious mini-dramas in Stallworth’s life.
Stallworth must face personal conflicts in his love life when his (completely fictionalized) romantic interest (Laura Harrier) holds anti-cop views.
Or put another way, ., is set just after the American Civil War.
Both book and movie were used as propaganda to depict the Klan as saving the white race from the newly emancipated Blacks, rendered in the film as crazed rapists and criminals.
Cherrington Papers, Ohio Historical Society, roll 87 (Hereafter EHC roll #); . 31, 1925, MP 3; Thomas Nicholson to Mc Bride, Sept. Mc Bride, June 16, 1925, MP 6; Mc Bride to Julius Smith, Oct. Jason Lantzer shared advanced chapters of his dissertation and his knowledge of Edward Shumaker.
Historians disagree on whether antiliquor raids carried out by Klansmen or other volunteers acting as special deputies should be considered vigilantism. 21, 1925, MP 8 (second quotation); Mc Bride to Brother Superintendents, Mar. 21, 1925, MP 8; “Report of Francis Scott Mc Bride, General Superintendent, To the Executive Committee of the Anti-Saloon League of America at Washington, D. Loyola College provided research grants and a one-semester sabbatical.
Another iteration was developed in the 1973 cult classic , directed by Ivan Dixon and based on the 1969 novel of the same name by Sam Greenlee.
In this film, Dan Freeman (Lawrence Cook) is an African-American who becomes a top CIA agent after being trained in advanced warfare, spy work and subversion.