Angela Carter The Bloody Chamber Critical Essays

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She has no conception of women's sexuality as autonomous desire."(Friedman) Both critics have pointed out that Carter merely presents women as objects in a patriarchal system.

Yet, what they fail to mention is that she also proposes the idea that their repression is the source of their power – the female character's sexual power is derived from their exploitation.

Here, I will go through the novella looking at key quotations along with page numbers.

If the quote does not have a page number, take that it is on the same page as the above quotation that has a page number with it.

After completing a Masters degree in Automotive Engineering with Motorsport, Will now works at Mc Laren designing super cars.

Angela Carter was a storytelling sorceress, the literary godmother of such contemporary masters of supernatural fiction as Neil Gaiman, David Mitchell, Audrey Niffenegger, J. Rowling, and Kelly Link, who introduces this edition of Carter's most celebrated book, published for the seventy-fifth anniversary of her birth.

In her re-writing of Perrault and Beaumont’s classic tales, Carter proposes a reading of several well-known stories with intent to unveil through a feminist perspective the ideological content they present.

“The Bloody Chamber” is her take on the tale of Bluebeard; “The Werewolf” is her variation of the tale of There is plenty of opportunity for interpretation in Carter’s writing, particularly in her book ‘The Bloody Chamber’ which is commonly considered to be her masterwork, brimming with intertextualities and ambiguities.

Some may find her work to be excessively violent or savage, perhaps even alienating.

Yet others may have found this no-holds-barred approach to be exhilarating and refreshing in comparison to other authors of her time.

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